A Bug's Life (Two-Disc Collector's Edition)

• Journey inside the miniature world of bugs for bigger-than-life fun and adventure under every leaf! Crawling with imaginative characters, hilarious laughs, and colorful animation, Disney and Pixar's A BUG'S LIFE will "delight everyone -- young, old, or six-legged" ("People" magazine). On behalf of "oppressed bugs everywhere" an inventive ant named Flik hires "warrior bugs" to defend his co

In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior,! strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. --Written by Julian ReischlWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can ! learn. Gene Hackman is all teeth (ants have teeth?) and menaci! ng grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew! so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Chr! istopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Ja! ne Curti n, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerA funny children's (& adult) cartoon movie.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Shar! on Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten y! oungsters. --Sean AxmakerBook Two of the Antz series fi! nds mank ind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.Book Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnel! s is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other! voices include Anne Bancroft as the Queen, Christopher Walken! , Jennif er Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerJourney inside the world of bugs in this epic of miniature proportions. Crawling with imaginative characters, hilarious laughs, and colorful animation, Walt Disney Pictures Presentation of A Pixar Animation Studios Film, A BUG'S LIFE, will "delight everyone -- young, old, or six-legged." (People Magazine) In this 2-disc set you'll step behind the scenes for a look at the innovation and teamwork that resulted in this ingenious film. Loaded with bonus features â€" including animation not seen in theaters, abandoned sequences, and multiple surprises â€" A BUG'S LIFE COLLECTOR! 'S EDITION offers something for everyone from families to film lovers!There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he find! s help--a hearty bunch of bug warriors--and brings them back t! o the co lony. Unfortunately they are just traveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik.

More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-abou! t sequence: the opening Normandy invasion in Saving Private Ryan.

The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies. --Doug Thomas

Across the Universe (Two-Disc Special Edition)

• Condition: Used, Very Good
• Format: DVD
• Anamorphic; NTSC

Across the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert! , Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly! choreographed dance segments, seemingly commonplace character! interac tion, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami HoriuchiAcross the Universe, from director Julie Taymor, is a revolutionary rock musical that re-imagines America in the turbulent late-1960s, a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood), a rich but sheltered American girl who joins the growing anti-war movement in New York's Greenwich Village. A! s the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono, Across the Universe is "the kind of movie you watch again, like listening to a favorite album." (Roger Ebert, Chicago Sun-Times)Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love prove! s a powerful uniting force, its limitations become clear as re! lationsh ips are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly choreographed dance segments, seemingly commonplace character interaction, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami Horiuchi

Beyond Across the Universe

On Blu-ray

The Deluxe Soundtrack

Beatles audio CD

Stills from Across the Universe (click for larger image)

		!

Gardens of the Night

• GARDENS OF THE NIGHT (DVD MOVIE)

In the most powerful role of his career, Tom Arnold plays Alex, who, with his partner Frank (Kevin Zegers)
lures eight-year-old Leslie (Ryan Simpkins) into a car, changing her life forever. For seven years, she and
another child, Donnie, live in horror, with no one to turn to but each other. Eventually abandoned by their
captors, Leslie (now played by Gillian Jacobs) and Donnie (Evan Ross), struggle with a hand-to-mouth
existence on the streets of San Diego. Haunted by their pasts, it seems reality for Leslie and Donnie is
being bought by strangers and never going home. Also featuring unforgettable performances by
John Malkovich and Jeremy Sisto.

Lackawanna Blues

• Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is

DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn's Finest).This family drama beg! ins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberl! y HeinrichsThis family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama be! gins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimber! ly HeinrichsEVE'S BAYOU (SIGNATURE SERIES) - DVD MovieActr! ess Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonBased on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational sto! ry of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary with director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in Da Noise, Bring in Da Funk) is apparent; adapted by scriptwriter Ruben Santiago-Hudson from his! own autobiographical play, Lackawanna Blues is less a ! story th an a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful characters (played by the likes of Macy Gray, Jeffrey Wright, and many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to overlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhom! e country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham

Breakfast With Scot

• BREAKFAST WITH SCOT (DVD MOVIE)

The lives of Eric, an ex-hockey player, and his partner Sam are thrown into turmoil when they are forced to take in Scot, a flamboyant 11-year-old, who is not the sports-loving “boy” they expected. Starring Tom Cavanagh, Ben Shenkman and Noah Bernett. Like most couples, Eric (Tom Cavanagh, Ed) and Sam (Ben Shenkman, Angels in America) have their differences. A former NHL player, Eric broadcasts sports news, while Sam practices corporate law. If Sam seems comfortable with his orientation, Eric keeps their four-year relationship a secret for the sake of his career. When Sam's wayward brother Billy's girlfriend passes away, the Toronto couple takes temporary custody of her 11-year-old son, Scot (the unflappable Noah Bernett). Until he makes his gardenia-scented entrance, Breakfast with Scot appears to be a comedy about gay parenting, excep! t Scot isn't a typical boy. He sings show tunes, wears feather boas, and makes "T"-shaped pancakes (because his first name ends with one "T"). As an ex-Toronto Maple Leaf, Eric finds Scot's flamboyance discomforting, so he encourages him to play hockey. To his surprise, the kid takes to the ice like a fish to water, but as Scot spends more time with the athletes than the outcasts, he develops a mean streak, which presents even more of a challenge to his guardians. Further, Billy (Colin Cunningham, Da Vinci's Inquest), who lives in Brazil, expresses greater interest in his ex-girlfriend's insurance money than the child that comes with it. Loosely adapted from the novel by Michael Downing and paced like a sitcom, director Laurie Lynd presents few storyline surprises, but the basic premise is sure to resonate with parents of all persuasions. In the end, Scot teaches Eric that it's better to be yourself than to conform to constricting gender roles. --Kathleen C. Fenne! ssy

Double Feature: Big Trouble in Little China & Planet of the Apes

• 2-DVD Set
• Double Feature
• Feature Length Movie

Directed by thrill master John Carpenter, this edge-of-your seat adventure stars Kurt Russell as Jack Burton, a tough-talking, wisecracking truck driver whose hum-drum life on the road takes a sudden supernatural tailspin when his best friend's fiancee is kidnapped. Speeding to the rescue, Jack finds himself deep beneath San Francisco's Chinatown, in a murky, creature-filled world ruled by Lo Pan, a 2000-year-old magician who mercilessly presides over an empire of spirits. Dodging demons and facing baffling terrors, Jack battles his way through Lo Pan's dark domain in a full-throttle, action-riddled ride to rescue the girl. Co-starring Kim Cattrall, this effects-filled sci-fi spectacle speeds to an incredible, twist-taking finish.

• Audio: English: 5.1 DTS HD Master Audio, Dolby Surround / Spanish & French: 5.1 D! olby Digital
• Language: Dubbed & Subtitled: English, French & Spanish
• Aspect Ratio: Widescreen: 2.35:1

Once you settle into the realization that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music.! --Tom Keogh Directed by thrill master John Carpenter, ! this edg o-of-your seat adventrue stars Kurt Russell as Jack Burton, a tough-talking, wisecracking truck driver whose hum-drum life on the road takes a sudden supernatural tailspin when his best friend's fiancee is kidnapped. Speeding to the rescue, Jack finds himself deep beneath San Francisco's Chinatown, in a murky, creature-filled world ruled by Lo Pan, a 2000-year-old magician who mercilessly presides over an empire of spirits. Dodging demons and facing baffling terrors, Jack battles his way through Lo Pan's dark domain in a full-throttle, action-riddled ride to rescue the girl. Co-starring Kim Cattrall, this effects-filled sci-fi spectacle speeds to an incredible, twist-taking finish.Once you settle into the realization that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who! steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music. --Tom Keogh Directed by thrill master John Carpenter, this edgo-of-your seat adventrue stars Kurt Russell as Jack Burton, a tough-talking, wisecracking truck driver whose hum-drum life on the road takes a sudden supernatural tailspin when his best friend's fiancee is kidnapped. Speeding to the rescue, Jack finds himself deep beneath San Francisco's Chinatown, in a murky, creature-filled world ruled by Lo Pan, a 2000-! year-old magician who mercilessly presides over an empire of s! pirits. Dodging demons and facing baffling terrors, Jack battles his way through Lo Pan's dark domain in a full-throttle, action-riddled ride to rescue the girl. Co-starring Kim Cattrall, this effects-filled sci-fi spectacle speeds to an incredible, twist-taking finish.Once you settle into the realization that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spo! ok effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music. --Tom Keogh Once you settle into the realization that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also! wrote the music. --Tom Keogh Once you settle into the ! realizat ion that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music. --Tom Keogh Double Feature (2 DVD Set) includes Big Trouble in Little China and Planet of the Apes

Filth and Wisdom

• FILTH AND WISDOM (DVD MOVIE)

Madonna s directorial debut!

Filth and Wisdom, is a hilariously sexy tale of three roommates who must delve into mischievous and naughty behavior in pursuit of bigger and brighter futures. A Ukrainian immigrant, A.K. (Eugene Hutz), finances his dreams of trans-continental superstardom with his band, Gogol Bordello, by turning tricks as a role-playing cross dresser. As A.K. literally whips the privileged of London into shape, he also secretly pines for the object of his affection, Holly (Holly Weston), as aspiring ballerina looking for her big break while moonlighting as a slippery stripper. Meanwhile, Juliette (Vicky McClure) steals medicine from her pharmaceutical job in hopes of quenching her dreams of helping Africa s youth. Filth and Wisdom is every bit as erotic and playful as it is poignant and touching, revealing the universal struggles we all face i! n our pursuits of happiness.

Freddy vs. Jason [Blu-ray]

• The slicer versus the slasher? Two titans of terror going at it mano-a-machete? They re gonna kill each other a lot! The horror (and wicked fun) begins when Freddy realizes he can t haunt dreams because folks no longer fear him. So he enlists Jason to do a little killing on his behalf on Elm Street. Presto, the fear is back and so is Freddy. One problem: Jason isn t about to stop offing people. An

It's the battle everyone's been DYING to see! Teenagers find themselves caught in the middle of a battle between two legendary boogeymen: Jason Voorhees and Freddy Krueger. Who will win in the bloodiest and goriest showdown in history?

DVD Features:
3D Animated Menus
Alternate endings:Alternate opening and Ending
Audio Commentary:Commentary with Director Ronny Yu, Actors Robert Englund (FREDDY) & Ken Kirzinger (JASON)
Comparison Scenes
DVD ROM ! Features
Deleted Scenes:18 Deleted Scenes with optional commentary from Director Ronnie Yu and Executive Producer Douglas Curtis
Documentaries:--Behind the scenes coverage of the films development - including screenwriting, set design, make up, stunts and principle photography --Visual effects exploration
Featurette
Full Screen Version:Both fullscreen and Widescreen on one disc
Interviews
Music Video:Ill Nino "How Can I Live"
Storyboards
TV Spot:Lots of TV spots
Theatrical Trailer

After 11 years in development hell and screenplay drafts by 13 different writers, the long-awaited smackdown of Freddy vs. Jason finally arrives. After making their respective debuts in Friday the 13th (1980) and A Nightmare on Elm Street (1984), the hockey-masked killer Jason Voorhees (Ken Kirzinger, replacing long-time Jason performer Kane Hodder) and razor-gloved Freddy Kr! ueger (Robert Englund) square off in a slasher-franchise combo! -deal th at only their most devoted fans will appreciate; turns out this is a lightweight match in which nobody wins. It's an average entry in the histories of these horror icons, comparable to half of their previous sequels, and Bride of Chucky director Ronny Yu satisfies purists with plenty of gushing blood and mayhem when Freddy recruits Jason to slice 'n' dice the ill-fated teens who've forgotten Freddy's once-formidable reign of terror. While it logically connects the gruesome legacies of Nightmare's Elm Street and Friday's Camp Crystal Lake, this horror hybrid is shockingly uninspired. It briefly peaks when Freddy gives the unconscious Jason a dream-world pummeling, but their ultimate showdown's a draw. In the immortal words of Peggy Lee, is that all there is? --Jeff ShannonThe slicer versus the slasher? Two titans of terror going at it mano-a-machete? They’re gonna kill each other a lot! The horror (and wicked fun) begins when Freddy realizes he c! an’t haunt dreams because folks no longer fear him. So he enlists Jason to do a little killing on his behalf on Elm Street. Presto, the fear is back â€" and so is Freddy. One problem: Jason isn’t about to stop offing people. And another: Freddy isn’t about to let Jason rule Elm Street. This means war. Freddy Vs. Jason. Winner kills all.After 11 years in development hell and screenplay drafts by 13 different writers, the long-awaited smackdown of Freddy vs. Jason finally arrives. After making their respective debuts in Friday the 13th (1980) and A Nightmare on Elm Street (1984), the hockey-masked killer Jason Voorhees (Ken Kirzinger, replacing long-time Jason performer Kane Hodder) and razor-gloved Freddy Krueger (Robert Englund) square off in a slasher-franchise combo-deal that only their most devoted fans will appreciate; turns out this is a lightweight match in which nobody wins. It's an average entry in the histories of these horror icons, comp! arable to half of their previous sequels, and Bride of Chuc! ky d irector Ronny Yu satisfies purists with plenty of gushing blood and mayhem when Freddy recruits Jason to slice 'n' dice the ill-fated teens who've forgotten Freddy's once-formidable reign of terror. While it logically connects the gruesome legacies of Nightmare's Elm Street and Friday's Camp Crystal Lake, this horror hybrid is shockingly uninspired. It briefly peaks when Freddy gives the unconscious Jason a dream-world pummeling, but their ultimate showdown's a draw. In the immortal words of Peggy Lee, is that all there is? --Jeff Shannon