Wednesday, November 23, 2011

Cold Creek Manor

  • Finally putting an end to their days as slaves to the hustle-and-bustle of city life, Gothamites Cooper Tilson (Dennis Quaid) and his wife, Leah (Sharon Stone), pack up their kids and all their possessions and move into a recently repossessed mansion in the sticks of New York State. Once grand and elegant, the Cold Creek Manor is now a shambles, but Cooper and Leah have plenty of time to renovate.
COLD CREEK MANOR is a heart-pounding thriller that will keep you on the edge of your seat in tension-filled suspense. Wanting to escape city life for the saner, safer countryside, New Yorkers Cooper Tilson (Dennis Quaid), his wife Leah (1995 Golden Globe winner Sharon Stone, Best Actress, CASINO), and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owne! r (Stephen Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate's dark and lurid past.Turn off your brain and Cold Creek Manor just might turn into an entertaining thriller. Taking an uncharacteristic detour into nonsensical plot mechanics, director Mike Figgis expertly pushes buttons with this nerve-jangling but ultimately hackneyed story (by Richard Jeffries) about a documentary filmmaker (Dennis Quaid) who moves his wife (Sharon Stone) and two kids into a run-down rural mansion once owned by the family of a simmering ex-convict (Stephen Dorff), who's got secret reasons for wanting Quaid's family to leave. This rote potboiler wants to be as thrilling as Fatal Attraction, but it's more like Pacific Heights--fun to watch as the tension escalates with Dorff's violent behavior, but seriously flawed as plot holes proliferate. With a few good shocks and slinky support from Juliette Lewis, it's pe! rfectly enjoyable as a popcorn distraction, but maybe they sho! uld've c alled it Cold Creaky Manor instead. --Jeff Shannon

As You Like It

  • Emmy award winner Kenneth Branagh, the man who redefined Shakespeare for a whole new generation with Henry V, Much Ado About Nothing and Hamlet, brings the Bard's most delightful comedy to sensational life!Rosalind is a young woman living in the court of her uncle when she falls in love with Orlando, a young gentleman of the kingdom. When Rosalind is banished, she flees into the forest of Arden di
Each edition includes:

• Freshly edited text based on the best early printed version of the play

• Full explanatory notes conveniently placed on pages facing the text of the play

• Scene-by-scene plot summaries

• A key to famous lines and phrases

• An introduction to reading Shakespeare's language

• An essay by an outstanding scholar providing a modern perspective on the play

• Illustrations from the Folger Shakespeare Library's vast holdings of rare! books

Essay by Susan Snyder

The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Emmy award winner Kenneth Branagh, the man who redefined Shakespeare for a whole new generation with Henry V, Much Ado About Nothing and Hamlet, brings the Bard's most delightful comedy t! o sensational life! Rosalind is a young woman living in the co! urt of h er uncle when she falls in love with Orlando, a young gentleman of the kingdom. When Rosalind is banished, she flees into the forest of Arden disguised as a man...only to encounter Orlando who has also been exiled! But can she win his heart, disguised as she is? With a setting inspired by 19th century Japan and a star-studded cast including Kevin Kline (Dave, A Prairie Home Companion), Bryce Dallas Howard (Spider-Man 3, The Lady In The Water) and Alfred Molina (Spider-Man 2, The Da Vinci Code), AS YOU LIKE IT once again proves that all the world's a stage. Come enjoy!If you think stuffy old Shakespeare could be livened up with some ninjas, Kenneth Branagh (Hamlet, Mary Shelley's Frankenstein) has heard your call. Adapter/director Branagh has set the pastoral comedy As You Like It in feudal Japan, where the characters are still British (they live in a community established by Western merchants) but now have reason to dress up in lush Japanese fabrics and ! engage in sumo wrestling. Due to a feud between two noble brothers, Rosalind (Bryce Dallas Howard, The Village) is banished and ends up disguised as a man in a nearby forest. There she tests the faith of her beloved (and also banished) Orlando (David Oyelowo, MI-5), who can't recognize her because she looks like a Dickensian ragamuffin. Meanwhile, a variety of other star-crossed lovers romp around the forest and zen gardens, sparring about love and melancholy. Branagh, never a subtle director, takes every opportunity to squeeze in slapstick and action (like the aforementioned ninjas), but he also keeps the language clear and the movie is beautiful to look at. The strong cast includes Kevin Kline (who previously frolicked in a movie adaptation of A Midsummer Night's Dream), Alfred Molina (Spider-Man 2, Frida), Romola Garai (I Capture the Castle, Dirty Dancing: Havana Nights), and Adrian Lester (Hustle, Love's Labors ! Lost). --Bret Fetzer

And Soon the Darkness

  • AND SOON THE DARKNESS (DVD MOVIE)

Stephanie (Amber Heard) and Ellie’s (Odette Yustman) vacation to an exotic village in Argentina is a perfect ‘girl’s getaway’ to bask in the sun, shop and flirt with the handsome locals. After a long night of bar-hopping, the girls get into an argument, and Stephanie heads out alone in the morning to cool off. But when she returns, Ellie has disappeared. Finding signs of a struggle, Stephanie fears the worst, and turns to the police for help. But the local authorities have their hands full already - with a string of unsolved kidnappings targeting young female tourists. Skeptical of the sheriff’s competency, she enlists help from Michael (Karl Urban), an American ex-pat staying at their hotel. Together they go on a frantic search for Ellie, but Stephanie soon realizes that trusting his seemingly good intentions may drag her farther from the! truth. With danger mounting, and time running out, Stephanie must find her friend before darkness falls.Lesson from And Soon the Darkness: don't miss the last bus out of the small town in Argentina where you've stopped for the night on your cross-country bicycling tour. Especially if you are two nubile young women on your own. Actually, there are many lessons to be learned in this movie, which hews closer to the twisty suspense of A Perfect Getaway than the hardcore travel-torture action of Hostel. Amber Heard and Odette Yustman star as the gadabout gals, partying a little too heartily and sleeping in past their departure date in a tiny village full of vaguely shady characters. Karl Urban (Star Trek) is also loitering around the town, an actor who brings a useful quality of "is he a good guy or a possible killer?" to the proceedings. Director Marcos Efron can find no way of making the behavior of the characters even marginally believable, eith! er as real people or as movie types we might reasonably want t! o accept as figures in a cautionary tale. They're just dumb. The movie's pictorial qualities are pretty enough, as the countryside of Argentina looks fairly spectacular and Heard and Yustman find excuses to sunbathe in their bikinis. Amber Heard (Zombieland, Pineapple Express) definitely has something, leading lady-wise, but a movie this single-note is not the way to explore whatever that is. For the record, it's a remake of a 1970 British film, where the travelers were lost in the wilds of France. --Robert Horton

Clash of the Titans [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Widescreen; Subtitled
In Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beas! tie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fine slinking mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterri! er (Transporter 2) gets a fine rhythm going during Pers! eus's tr ek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops the original. --Robert HortonIn Clash of the Titans, the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Fiennes), vengeful god of the underworld. With nothing to lose, Perseus volunteers to lead a da! ngerous mission to defeat Hades before he can seize power from Zeus (Liam Neeson) and unleash hell on earth. Battling unholy demons and fearsome beasts, Perseus and his warriors will only survive if Perseus accepts his power as a god, defies fate and creates his own destiny."Release the Kraken!" Ah, it could only be Clash of the Titans, the 2010 remake that retains the instruction to unleash the great beastie from the sea. The 1981 original boasted Ray Harryhausen's legendary stop-motion technique of animating various mythological creatures--it was his final feature project--and given the cornball approach of the movie in general, that was the main draw. The remake supplies new state-of-the-art special effects (it was released in theaters in 3-D) and a nicely muscular sense of momentum. Sam Worthington (the Avatar guy) plays Perseus, a demigod who doesn't know that Zeus (Liam Neeson) is his father. Perseus is selected to lead an expedition to find and slay the! Medusa, lest Zeus's evil brother Hades (Ralph Fiennes, in fin! e slinki ng mode) rain down misery upon a seaport--and you just know that means the Kraken is coming. Ye gods, it's a mess, and we haven't even mentioned the witches and the harpies and the giant scorpions. But if we did, it would be clear that Clash of the Titans is a perfectly dandy popcorn epic, unpretentious and punchy. Director Louis Leterrier (Transporter 2) gets a fine rhythm going during Perseus's trek, and you can even forgive the hokey shafts-of-light-through-clouds look of Olympus. Leterrier also had the good sense to import the marvelous Danish star Mads Mikkelsen to provide mentoring duties to Perseus; Gemma Arterton and Alexa Davalos fulfill the eye-candy roles. It's up to individual viewers to choose which they prefer--Harryhausen's magically hand-wrought creations (his Medusa sequence is an absolute killer) or the 21st century's slick computer-generated variations. But nostalgia aside, it would be hard to deny that this is one case where the remake tops ! the original. --Robert Horton

Alvin and the Chipmunks Scare-Riffic Double Feature

  • Features include: -MPAA Rating: UNRATED -Format: DVD-Runtime: 120 minutes
Studio: Uni Dist Corp. (mca) Release Date: 07/24/2007 Run time: 145 minutes Rating: NrOver 10 years after first turning down the role, Bela Lugosi donned the neck bolts and platform boots to play Frankenstein's monster for the first and only time in Frankenstein Meets the Wolfman. Larry Talbot (Lon Chaney Jr., reprising his most famous role), killed at the end of The Wolf Man, is inexplicably alive and searching for the brilliant Dr. Frankenstein but instead finds the Monster, frozen in ice beneath the castle, and an ambitious scientist (Patric Knowles) who revives the creature and promises to cure Larry. Lugosi is lurching and clumsy as the Monster, while Chaney is appropriately tortured as Larry but stiff and snarly as the Wolf Man, more man than wolf. Last-minute cuts by the studio renders much of th! e film incomprehensible: the monster was left blind and vocal at the end of Ghost of Frankenstein, but all references to either were deleted (which partly accounts for Lugosi's performance) and he's now sighted but mute. Roy William Neill, a talented B-movie director best known for his Sherlock Holmes films with Basil Rathbone, can't do much with the perfunctory script, but he does deliver a highly entertaining conclusion: the Wolf Man battles the Monster while a spectacular disaster (accomplished with obvious but charming models) wipes the castle off the face of the earth... at least until House of Frankenstein the next year. --Sean AxmakerFor the first time ever, the original The Wolf Man film comes to DVD in this extraordinary Legacy Collection. Included in the collection is the original classic, starring the renowned Lon Chaney Jr., and three timeless sequels, featuring legendary actor Bela Lugosi and others. These are the landmark films that inspir! ed an entire genre of movies and continue to be major influenc! es on mo tion pictures to this day.Universal's first werewolf film falls in the shadow of the 1941 hit The Wolf Man. You might say it's a different animal, as this version carries none of the now-familiar trappings of the wolf-man legend: no wolfsbane, no silver bullets, no gypsy curse. Dr. Wilfrid Glendon (Henry Hull) is a London botanist whose search for a rare flower takes him to a "cursed" valley in Tibet where he's mauled in the moonlight by a wolflike creature. Back in London he meets the mysterious Dr. Yogami (a marvelously melancholy performance by Warner Oland), who explains they met once before "in Tibet... in the dark" before asking for a flower from his botanical find, the only antidote for his curse. Glendon scoffs at his stories of werewolves--until he transforms into a hirsute killer under the effect of the full moon. Although leaner and edgier than the famous 1941 Lon Chaney classic, The Werewolf of London stumbles with the corny Scotland Yard investigat! ion of the murder spree and gets sidetracked in the bizarre bickering of two old drunken cronies. But it takes flight in wonderfully imaginative and eerie scenes and striking action sequences, while a Jekyll-and-Hyde dynamic turns a jealous squabble between Glendon and his young wife Lisa (Valerie Hobson) into the tragic twist of the curse: "The werewolf instinctively kills the thing it loves best." --Sean AxmakerABBOTT & COSTELLO MEET FRANKENSTEIN - DVD MovieUniversal Pictures made a great deal of money from its monster movies in the 1930s. In the early '40s, the burlesque team of Bud Abbott and Lou Costello kept the studio's coffers full. When the two franchises were combined in 1948, the result was another windfall--despite the apparent oil-and-water mix of subject matter. Abbott and Costello Meet Frankenstein was the first of these summit meetings, although the title is a misnomer. Actually, Bud and Lou bump into most of the Universal heavy-hitters, includ! ing Count Dracula (played by Béla Lugosi himself), the Wolfma! n (Lon C haney Jr.), and the Frankenstein monster (veteran monster Glenn Strange). There's even a token appearance by the Invisible Man, whose disembodied voice is recognizable as that of Vincent Price. Sure enough, the film is funny, especially since it gives the portly Costello multiple opportunities to do his wide-eyed, quivering scaredy-cat routine. Audiences ate it up, and in future installments Bud and Lou would run into Boris Karloff, Dr. Jekyll and Mr. Hyde, the Invisible Man, and the Mummy. But the first was the best. --Robert Horton 2 fun-tastic adventures on one irresistible DVD!

Get ready for hilarious thrills and chills as everyone's favorite mischief-makers â€" chipmunk brothers Alvin, Simon and Theodore â€" bring timeless entertainment to the whole family in the Alvin and the Chipmunks Scare-riffic Double Feature! These two full-length, spooky adventures promise hours of song-filled, wacky fun and spook-tacular escapades. Join the world's most famous chipmun! ks as they uproariously collide with the legendary doctor and his creation in Alvin and the Chipmunks Meet Frankenstein. Race against the next full moon with the madcap brothers and their gal pal Chipettes as they howl with laughter in Alvin and the Chipmunks Meet the Wolfman. For high quality haunts and delightful antics, take home this must-own collection!

ALVIN AND THE CHIPMUNKS MEET FRANKENSTEIN The mischievous brothers explore a popular theme park attraction, Frankenstein's Castle, that's been taken over by the real doctor and his beloved Monster!

ALVIN AND THE CHIPMUNKS MEET THE WOLFMAN Monster-obsessed Alvin is sure that the mysterious new neighbor is a werewolf, but the fun and frights really begin when Theodore starts acting strangely, too!

Glass

  • ISBN13: 9781416940913
  • Condition: New
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This is a story about a monster. Not a dragon or a mythological beast, but a very real, very destructive monster--crystal meth--that takes hold of seventeen-year-old Kristina Snow and transforms her into her reckless alter-ego Bree. Based on her own daughter's addiction to crystal meth, Ellen Hopkins' novel-in-verse is a vivid, transfixing look into teenage drug use. Told in Kristina's voice, it provides a realistic portrayal of the tortured logic of an addict.Ellen Hopkins's semi-autobiographical verse novel, Crank, reads like a Go Ask Alice for the 21st century. In it, she chronicles the turbulent and often disturbing relationship betw! een Kristina, a character based on her own daughter, and the "monster," the highly addictive drug crystal meth, or "crank." Kristina is introduced to the drug while visiting her largely absent and ne'er-do-well father. While under the influence of the monster, Kristina discovers her sexy alter-ego, Bree: "there is no perfect daughter, / no gifted high school junior, / no Kristina Georgia Snow. / There is only Bree." Bree will do all the things good girl Kristina won't, including attracting the attention of dangerous boys who can provide her with a steady flow of crank. Soon, her grades plummet, her relationships with family and friends deteriorate, and she needs more and more of the monster just to get through the day. Kristina hits her lowest point when she is raped by one of her drug dealers and becomes pregnant as a result. Her decision to keep the baby slows her drug use, but doesn't stop it, and the author leaves the reader with the distinct impression that Kristina/Br! ee may never be free from her addiction. In the author's note,! Hopkins warns "nothing in this story is impossible," but when Kristina's controlled, high-powered mother allows her teenage daughter to visit her biological father (a nearly homeless known drug user), the story feels unbelievable. Still, the descriptions of crystal meth use and its consequences are powerful, and will horrify and transfix older teenage readers, just as Alice did over 20 years ago. --Jennifer HubertThe heart-wrenching bestselling Crank trilogy shows that addiction is never just one person’s problem.

Crank

Kristina is the perfect daughter: gifted high school junior, quiet, never any trouble. Then she meets the monster: crank. And what begins as a wild ride turns into a struggle for her mind, her soulâ€"her life.

Glass

Crank. Glass. Ice. Crystal. Whatever you call it, it’s all the same: a monster. Kristina thinks she can control it. Now with a baby to care for, she is determined to be the one deciding when and h! ow much, the one calling the shots. But the monster is strong, and before she knows it, Kristina is back in its grip . . . and it won’t let go.

Fallout

Nineteen years after Kristina met the monsterâ€"crankâ€"her three children are reeling from the consequences of her decisions. Instead of one big, happy family, they are desperate tangle of scattered lives united by anger, doubt, and fear. There is more of Kristina in her children than they would ever like to believe. But when the thread that ties them together brings them face-to-face, they’ll discover something powerful in each other and in themselvesâ€"the trust, the hope, the courage to begin to break the cycle.There are a thousand ways to raise your adrenaline, and today hit many Chev Chelios (Jason Statham) will need every one! He has one hour to settle the score and say good-bye to his girl and go out with a little style! The only question is, will he stay alive long enough to see it happen?Act! ion anti-hero Jason Statham is competing with himself to make ! the most relentless, non-stop action flick imaginable. In Crank, Statham stars as a hit man named Chev Chelios who's been poisoned by some Chinese toxin; the only way to stave it off is to keep his adrenalin flowing, which requires him to drive at top speeds through crowded traffic, start fights in bars, and run pell-mell down hospital corridors while wearing one of those humiliating smocks that tie in the back. In other words, Crank is high-end pop-trash, filled with many preposterous/ingenious stunts and over-the-top performances (Dwight Yoakam, Sling Blade, is downright droll as a doctor offering Chev assistance), marred by an unpleasant attitude towards women (Amy Smart, Outside Providence, will not look back on this as one of her signature roles). This is a movie for the audience who enjoyed Transporter and Transporter 2 but wanted Statham's perpetual scowl to become a kind of theatrical mask, a perpetual signifier of intensity that beg! s--nay, demands--that everything around it rise to a mutual level of absurdity. Fans of Luc Besson (Leon/The Professional, District 13) will find Crank to be simpatico. --Bret FetzerCrank. Glass. Ice. Crystal. Whatever you call it, it's all the same: a monster. And once it's got hold of you, this monster will never let you go.

Kristina thinks she can control it. Now with a baby to care for, she's determined to be the one deciding when and how much, the one calling the shots. But the monster is too strong, and before she knows it, Kristina is back in its grips. She needs the monster to keep going, to face the pressures of day-to-day life. She needs it to feel alive.

Once again the monster takes over Kristina's life and she will do anything for it, including giving up the one person who gives her the unconditional love she craves -- her baby.

The sequel to Crank, this is the continuing story of Kristina and her descent back to! hell. Told in verse, it's a harrowing and disturbing look at ! addictio n and the damage that it inflicts.

Yu-Gi-Oh! - Fabled Krus - Hidden Arsenal 3 - 1st Edition - Secret Rare

Daytime Drinking