Gunnin' For That #1 Spot (Special 2 Disc Set)
- GUNNIN' FOR THAT #1 SPOT 2 DISC SET (DVD MOVIE)
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Why does a band sound so good together? Each instrument has its own special sound. Discover the various properties of sound in this title.Designed by the French designer David Turpin! the POP handset combines classic style with a contemporary edge and is finished with a luxurious soft-touch texture. The handset has been manufactured with a high quality speaker and microphone. Can be used for VOIP computer telephone calls (Skype, Google Talk). This product is fitted with a 3.5mm jack (compatible with the iPhone). Improved call comfort Allows access to phone functions when making calls Eliminates over 99% of absorbed phone radiation Turns your tablet computer into a telephone via Skype or VOIP applications Supplied with a 3.5mm plugDeveloped by renowned French designer David Turpin, the MoshiMoshi 01H Retro Handset combines high style with high functionality, uniting the comfort and safety of a handset telephone with the convenience of the mobile phone. The chic design combines classic style with modern elegance, resulting in a fashionable and comfortable handset finished with a soft luxurious texture.
The MoshiMoshi 01H Retro Handset is specially designed to transform any type of smart-phone/mobile-phone into a comfortable and convenient conversation device. The ergonomic design pro! vides incomparable comfort, making the mobile phone practical for any type of conversation in any type of environment.
The ability to leave the mobile phone untouched while talking allows the user to enjoy the convenience of utilizing all other functions of the mobile device mid-conversation, making plans, emailing, browsing the internet and access to calendars more simple than ever. The dual compatibility of the MoshiMoshi 01H not only allows the device to be plugged into mobile phones, but also computers to act as a handset for VOIP calls, making it the ultimate communication and business tool.
MoshiMoshi 01H Retro Handset is compatible with all 3.5mm jack phones and computers, including the iPhone, BlackBerry, MacBook and iPad. When fitted with the proper adaptor (sold separately) it is compatible with all mobile phones and computers for VOIP computer telephone calls, including Skype and Google Talk.
While the debate about potentially harmful mobile phone radiation and the heath-related consequences rages on, Native Union has already offered a solution to the risk with the MoshiMoshi 01H Retro Handset. Native Union offers state of the art technology in the high quality speaker and microphone ensures a polished sound while the design eliminates 99 percent of harmful mobile phone radiation.
| STEP 1. You need to refer to the attached adapter table to check which adapter is needed to connect your mobile phone to your MoshiMoshi handset. If your mobile phone doesn't require an adapter, please proceeed directly to step 3. |
| STEP 2. Plug the corresponding adapter to the 3.5mm jack end of your MoshiMoshi (optional, please check on the adapter list to see if your phone needs it). |
| STEP 3. You can n! ow secur ely plug your Mosshi Moshi into the hands-free port of your mobile phone (please refer to your mobile phone's instruction manual to locate this port). |
Former United States Marine Brian Steidle served for six months in Darfur
as an unarmed military observer for the African Union. There he witnessed
first-hand the ongoing genocide, and documented every day of his experience
using email, audio journals, notebook after notebook and nearly 1,000
photographs. Gretchen Steidle Wallace, his sister, who wrote this ! book with
Brian, corresponded with him throughout his ti! me in Da rfur. Fired upon,
taken hostage, a witness to villages destroyed and people killed,
frustrated by his mission's limitations and the international community's
reluctance to intervene, Steidle resigned and has since become an advocate
for the world to step in and stop this genocide.
The Devil Came on Horseback depicts the tragic impact of an Arab
government bent on destroying its black African citizens, the maddening
complexity of international inaction in response to blatant genocide, and
the awkward, yet heroic transformation of a former Marine turned
humanitarian. It is a gripping and moving memoir that bears witness to
atrocities we have too long averted our eyes from, and reveals that the
actions of just one committed person have the power to change the world.
This intense, vivid report and call to action
from the heart of violent Darfur, by a former
Marine working as an unarmed militaryobserver for the African Union, is a powerful
memoir of a young man's awakening to
conscience and the first extensive on-theground
account of the genocide in Sudan.
Former United States Marine Brian Steidle served for six months in Darfur
as an unarmed military observer for the African Union. There he witnessed
first-hand the ongoing genocide, and documented every day of his experience
using email, audio journals, notebook after notebook and nearly 1,000
photographs. Gretchen Steidle Wallace, his sister, who wrote this book with
Brian, corresponded with him throughout his time in Darfur. Fired upon,
taken hostage, a witness to villages destroyed and people killed,
frustrated by his mission's limitations and the international community's
reluctance to intervene, Steidle resigned and has since become an advocate
for the world to step in and stop this genocide.
The Devil Came on Horseback depicts the tragic im! pact of an Arab
government bent on destroying its black Af! rican ci tizens, the maddening
complexity of international inaction in response to blatant genocide, and
the awkward, yet heroic transformation of a former Marine turned
humanitarian. It is a gripping and moving memoir that bears witness to
atrocities we have too long averted our eyes from, and reveals that the
actions of just one committed person have the power to change the world.An up-close, honest, and uncompromising look at the crisis in Darfur, THE DEVIL CAME ON HORSEBACK exposes the ongoing tragedy in Sudan as seen through the eyes of one American witness.
Using the exclusive photographs and first hand testimony of former U.S. Marine Captain Brian Steidle, the film goes on an emotionally charged journey into the heart of Darfur, Sudan, where in 2004, Steidle became witness to a genocide that to-date has claimed over 400,000 lives. As an official military observer, Steidle had access to parts of the country that no journalist could penetrate. Unprepa! red for what he would witness and experience, Steidle returned to the U.S. armed with his photographs, intent on exposing the images and stories of lives systematically destroyed.
A 2007 world premiere at the Sundance Film Festival, this astonishingly propulsive and dramatic film from award-winning filmmakers Annie Sundberg and Ricki Stern (The Trials of Darryl Hunt), is a heartfelt account of what this particular American witness saw and, just as important, what he did afterward.
DVD Features: Bonus Short Film: Supporting Survivors; Take Action Save Darfur: How to HelpThe Devil Came on Horseback presents a first-person account of the genocide in Darfur. Former Marine Captain Brian Steidle joined the African Union in 2004 to help monitor the cease-fire in Sudan. As he puts it, "All I had was a camera, a pen, and paper. I was totally unprepared for what I'd see." An unarmed military civilian, he describes his observations, via voice-over and audio record! ings, as filmmakers Annie Sundberg and Ricki Stern alternate b! etween t heir contemporary footage and his images of slaughtered civilians and incinerated villages. When his contract ends, Steidle leaves in disillusionment. He wrote his reports and took his pictures, but nothing changed. Since reporters lacked the same degree of access, he goes to The New York Times, and they publish his photographs. The soldier-turned-activist proceeds to spread the word everywhere he can. Aside from Steidle, the film features his sister Gretchen Wallace, founder of Global Grassroots (an organization working with female victims in Sudan and Rwanda), and Senator Barack Obama, who has also made Darfur his personal mission. The title comes from a loose translation of janjaweed, the government-backed Arab militias behind the atrocities to which Steidle bore witness. (Steidle and his sister use the same title for the book they wrote together.) As in their previous documentary, The Trials of Darryl Hunt, Sundberg and Stern maintain a measured tone, but t! heir subject's horrifying images speak for themselves. The Devil Came on Horseback is accompanied by Wallace's Supporting Survivors, a short film about Global Grassroots. --Kathleen C. Fennessy
Eisler builds on Rain's self-enforced isolation and loneliness as he expertly shows the reader Tokyo as channeled by Chandler, transforming the burgeoning metropolis into a noir catacomb of dimly lit hostess bars, scheming bureaucrats, shadowy intelligence agents, and outlaw martial arts dojos where thugged-up yakuza train for illicit death matches.
While the plot becomes complicated toward the novel's conclusion, Rain is a refreshing and complex character whom readers will want to see return for another installment. If you've a yen f! or a thriller that mixes suspense, intrigue, and action with a! Japanes e flavor and a hardboiled American attitude, Eisler's Hard Rain is an excellent choice. --Benjamin ReeseThe setting is the flood-ravaged, evacuated town of Huntingburg, where Tom (Slater), an armored car driver, is in deep danger. A gang of thieves (led by Freeman) figures the flood is their chance to heist the money Tom is transporting from local banks. But thereâs one thing the gun-carrying criminals didnât count on â" Tom. Come hell or high water, heâs determined to deliver the money entrusted to him. But before he does, heâll have to survive a relentless pursuit filled with close calls, floods, uncertain loyalties and heart-stopping heroics.It may not be a disaster movie, per se, but this terminally silly thriller is certainly disastrous, and would be pointless without the novelty of its setting in a flooding Midwestern town during a torrential rainfall. Physically impressive but idiotic in every other respect, the movie pits an armored truck couri! er (Christian Slater) against a smart leader of thieves (Morgan Freeman) and a corruptible town sheriff (Randy Quaid) who are vying for possession of $3 million in cash. A waterlogged game of cat and mouse, the plot is so contrived that even the most impressive action sequences--such as a jet-ski chase through flooded high-school corridors--are robbed of their already tenuous credibility. Before long you'll be yawning as incompetent accomplices are systematically dispatched by their own stupidity, in the kind of movie where the use of power boats inevitably leads to at least one death by outboard motor. What's impressive here is the physical production itself--the effect of flooding was created by building a huge replica of downtown Huntington, Indiana, in a huge, watertight aircraft hangar in Palmdale, California! --Jeff Shannon In his critically acclaimed Rain Fall, Barry Eisler introduced half Japanese-half American freelance hit man John Rain, a "dashing a! nd dangerous hero...as likable as he is lethal."* Now Eisler's! back. S o is Rain, the master of death by "natural causes" whose new target threatens the fragile political balance of an entire country.Barry Eisler's half-breed freelance assassin John Rain returns to Tokyo for a second outing in Hard Rain, the sequel to Eisler's stunning 2002 debut, Rain Fall. Once again Rain is working with, or at least parallel to, Tatsu, a wily veteran of Japan's FBI equivalent, who aims to cleanse the Japanese government of its systemic corruption. To further this goal, he's persuaded the ever-cautious Rain to take out Murakami, a brutal gangster and hitman who specializes in making his killings look like suicide, a specialty Rain thought was his alone. Liquidating the dangerous and elusive Murakami proves to be a difficult task, however, one that leads to personal loss for Rain, and sets the plot on course for a climax that hits with the power of a well-delivered roundhouse kick.
Eisler builds on Rain's self-enforced isolation and lonelin! ess as he expertly shows the reader Tokyo as channeled by Chandler, transforming the burgeoning metropolis into a noir catacomb of dimly lit hostess bars, scheming bureaucrats, shadowy intelligence agents, and outlaw martial arts dojos where thugged-up yakuza train for illicit death matches.
While the plot becomes complicated toward the novel's conclusion, Rain is a refreshing and complex character whom readers will want to see return for another installment. If you've a yen for a thriller that mixes suspense, intrigue, and action with a Japanese flavor and a hardboiled American attitude, Eisler's Hard Rain is an excellent choice. --Benjamin ReeseIn his critically acclaimed Rain Fall, Barry Eisler introduced half Japanese-half American freelance hit man John Rain, a "dashing and dangerous hero...as likable as he is lethal."* Now Eisler's back. So is Rain, the master of death by "natural causes" whose new target threatens the fragile ! political balance of an entire country.Twelve bones are missin! g.
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When a U.S. colonel is found murdered in his Istanbul home, the grisliest detail is the one that links his murder to another that soon follows. To Special Agent Vin Cooper, it looks like thereâs a serial killer at large in Turkey.
But looks can be deceiving.
Onetime lovers, now the uneasiest of partners, Vin Cooper and Special Agent Anna Masters follow a trail of clues from Istanbul to Iraq and beyond. The victims were not selected at random. What looked like ritual was rife with clues. As evidence of a conspiracy snakes up the chain of command, these two seasoned special agents must dodge bullets, defuse bombs, and avoid being buried alive in their desperate effort to short-circuit a plan for world domination more audacious than they could ever have imagined.