Thursday, September 8, 2011

Zoey 101 Poster Movie 27x40 Jamie Lynn Spears Paul Butcher Sean Flynn

Wednesday, September 7, 2011

The Doom Generation

  • DVD Details: Actors: Amanda Bearse, Rose McGowan, Don Galloway, Nicky Katt, Christopher Knight
  • Directors: Gregg Araki
  • Format: Closed-captioned, Color, DVD, Full Screen, NTSC
  • Aspect Ratio: 1.33:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: August 7, 2007; Run Time: 83 minutes
On a cross country search for gold, escaped convicts Lewis and Clark pick up a sexy mute woman, George (Rose McGowan) who seems to have secret of her own. A Tarantino-sequel edge-of-your-seat, outrageous shoot'em up gem! Starring: Rose McGowanJordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickie marts.Superior to both Kids and Natural Born Killers, Gregg Araki's The Doom Generation is a snarling satire that has ! the emotional range to prompt rage, fear, laughter, and grief in a viewer. Three L.A.-based, almost-twentysomethings--an incredibly foul-mouthed Valley Girl (Rose McGowan), her puppyish boyfriend (James Duval), and a sexy bad boy (Johnathon Schaech)--take to the road after a series of comic collisions with skinheads and gun-toting convenience-store clerks. While secret lawmen and voyeuristic TV cameras follow their movements, the fugitives gradually warm up to a three-way sexual relationship that wraps them in a profound, renewing innocence--an innocence then stolen by a wrathful America. Araki skewers the usual villains: the media, homophobes, gun nuts, Gen-X stereotypes. But there is so much more at stake here than meets the eye, an extraordinary anger and fear about predatory intolerance and purposelessness about the young. The DVD release includes the original theatrical trailer and production notes. --Tom Keogh

All About Anna ( When Johan Came Knocking ) [ NON-USA FORMAT, PAL, Reg.2 Import - Denmark ]

  • THIS DVD WILL NOT WORK ON STANDARD US DVD PLAYER
Official Selection: IO Isabella Internation Film Week. A friend once said that every woman needs three men: One for adventure and fun, one for stimulating conversation and one for good sex. Johan was all three. Eventually I got tired of crying over Johan. I'd learned my lesson. I was going to master my emotions. I was NOT a victim of love. From now on it was going to be all about fun. From now on, I would be living life to the hilt.LAST EXIT delves into the alternate and dark side of Copenhagen. Nigel, a loser in every sense of the word, is escaping his criminal past in England and is wedged in a loveless relationship with his wife Maria in a run down Copenhagen apartment. Nigel is constantly under pressure from loansharks and needs work badly

In what seems like a lucky break he finds he can make easy money with a company run by a man ! simply called the President. His first job is straight-forward, storing illegal goods until the heat cools.

Nigel meets gorgeous Tanya, a prostitute employed by the President. He hopelessly falls for her good looks and charm and they begin a potentially dangerous affair.

As the pressure mounts on Nigel from Tanya, Maria and the President his life continues to spiral out of control. Something twists in Nigel's psyche as Last Exit hurtles to a dark and violent conclusion!After 5 years of experimentation, MARIE & JACK was the first commercial film in our "Real People, Real LIfe, Real Sex" series.

Shot in the Summer of 2001, Marie Silva and Jack Bravo were a married couple working in the adult industry, looking for a change from the all too predictable and formulaic approach to on-screen sexuality they experienced in their "day job". I was an idealistic young documentary filmmaker exploring what love and sex might look like outside the confines of the downbe! at Art House approach.

I wanted to show what love a! nd sex l ooked like on screen when the people making love to each other were actually in love with each other, and I wanted to do it in a way that both honored the language of cinema and respected my audience as compassionate human beings. I hoped the result would be a film that would excite the mind, open the heart and arouse the body; and Marie and Jack were generous enough to lay their relationship open both physically and emotionally to my cameras, and through that, to the world.

The result was MARIE AND JACK: A HARDCORE LOVE STORY, a documentary film that is both gentle and unflinching in its depiction of sexuality and eroticism inside of marriage. In their interview Marie and Jack are utterly candid, discussing their love for each other, both emotional and physical. When the interview gives way to lovemaking, it is no less honest; no coy angles or fade-to-black. This is what real love looks like, in all its glistening glory, and it's beautiful!

The DVD inc! ludes the award-winning film, plus 32 minutes of lovemaking footage that I couldn't find a place for in the film; presented as a viewer-controlled multi-angle bonus feature. I made this film because I wanted prove that the human experience of sexuality was every bit as worthy of being witnessed as the violence and misery that is so readily accepted in entertainment, and that being 'serious' about sexuality didn't have to mean draining all the passion and eroticism out of sex. I think that what we captured in MARIE & JACK is every bit as joyful, lusty, and loving as what happens in our own bedrooms, and I hope that when you see this film you'll agree. I hope you'll say to yourself, "Yes! That's what real love looks like. And it's good!"Denmark released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Danish ( Dolby Digital 2.0 ), English ( Dolby Digital 2.0 ), Danish ( Subtitles ), E! nglish ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: ! 2-DVD Se t, Alternative Footage, Booklet, Documentary, Interactive Menu, Photo Gallery, Trailer(s), SYNOPSIS: This DVD's licensing restriction requires it to be sold to buyers from Europe ONLY.

Anna is a modern, independent single girl, focused on her job and wary of getting caught in romantic relationships. Her life is all about fun. Strangers without strings. No commitment, no casualties. She has just found a new apartment, and is tempted to let her latest boyfriend, Frank, move in with her. Instead, she finds a tenant: The flamboyant, fun-loving Camilla, who shares Anna's views on love and commitment. But then an old boyfriend happens to knock on her door: Johan, the very man who five years previously broke Anna's heart. Anna is tempted. It's not good. More than ever, she needs to get back on the merry-go-round and move on. Fortunately, she receives an offer to design costumes for a theatre in Paris. As far away from romantic temptation as possible -- right?

Tuesday, September 6, 2011

I Really Hate My Job

  • Though they may seem like hired help, the staff at this London eatery are far more than just waitresses--at least according to them. An actor, a writer, and even a revolutionary hide behind the aprons and bad attitudes of these young women. And when a Hollywood actor (Danny Huston) makes a reservation, it throws them into a hilarious frenzy of speculation and introspection. Neve Campbell, Shirley
Neve Campbell, Dominic Chianese and Fred Weller star in this smoldering erotic thriller about a femme fatale exploring the frightening reach of her sexual power - and the red-hot fusion of money, power and desire. Directed by James Toback, When Will I Be Loved is an "illumination of sexual and identity politics" (Slant Magazine) that sizzles and seduces.Neve Campbell is an arresting enigma in When Will I Be Loved, one of writer-director James Toback's most mysterious and successful minimalist ! dramas about sex, deception, and mutable identities in New York City. Campbell plays twentysomething beauty Vera, whose nude shower scene during the film's opening credits looks more like mythic preparation for a soon-to-be-fateful day than brazen exploitation. Ensconced in a fantastic loft paid for by her parents (Barry Primus, Karen Allen), the unemployed Vera embarks on an odyssey that begins with a mutually deceitful job interview with a college professor (Toback), leads to misadventures in questionable perception in Central Park, and climaxes with Vera's successful manipulation of two powerful men, one a craven lover (Fred Weller) and the other an Italian billionaire (Dominic Chianese) trying to get her in bed for a lot of money. Provocative as a good urban legend, the film sticks with one for a long time. --Tom KeoghI REALLY HATE MY JOB - DVD Movie

The Great Queen Seondeok Vol. 1

Monday, September 5, 2011

Abandoned

  • ABANDONED (DVD MOVIE)
An American slacker (Brittany Murphy, 8 Mile; Girl, Interrupted) abandoned by her boyfriend in Tokyo finds her calling in an unlikely place: a local ramen house run by a tyrannical chef who doesn't speak of a word of English. Undaunted by the chef's raging crankiness, Abby convinces him to teach her the art of ramen preparation...and despite hilarious clashes of culture and personality, she learns how to put passion and spirit into her life as well as her cooking.

Stills from The Ramen Girl (Click for larger image)




From the director of Madonna: Truth or Dare, this delightful comedy about the rocky road to true love stars Brittany Murphy (8 Mile, Just Married) as the free-spirited "Jacks." An assistant at British Vogue, Jacks adores fixing up her friends, but when it comes to finding the right guy for herself, she's totally clueless. Love comes knocking at her door when she meets sexy photographer Paolo (Santiago Cabrera, TV's Heroes), but will she dare to let her guard down and let romance in? An ultra-modern romantic comedy that portrays heterosexual and homosexual relationships with an openness and candor deemed either deserved or shocking depending on one's point of view, Love and Other Disasters! explores the complex difficulties inherent in modern rela! tionship s while poking fun at those relationships and the business of movie making. The straight "British Vogue" assistant Emily "Jacks" Jackson (Sin City's Brittany Murphy) and the openly homosexual Peter Simon (Brothers and Sister's Matthew Rhys) are best friends who live together with a familiarity that's usually reserved for the closest of family members. Bathroom chats while one takes a shower and the other sits on the toilet are commonplace in this household and that same openness extends to discussions of their romantic and sexual relationships with the same or opposite sex. Jacks' usually accurate "gaydar" fails her when she meets photographer Paolo Sarmiento (Heroes' Santiago Carbrera) and thus begins a complicated relationship between Paolo and Jacks in which Jacks attempts to set Paolo up with Peter without his knowledge and Paolo yearns for a relationship with Jacks while assuming that she's romantically involved with Peter. Add into this unusual lo! ve triangle an ex-boyfriend James (Elliot Cowen) whom Jacks is still sleeping with out of pity; Jacks' emotionally distraught friend Tallulah (Catherine Tate); an elusive David Williams (Will Keen) who Peter bumps into and declares the object of love at first sight even though the two have never actually met; and a host of other farcically odd characters and the stage is set for a romantic comedy unlike any other. On top of it all, James is struggling to write a screenplay that reflects his own reality, but is finding honesty hard to adhere to in the Hollywood business of movie making. Guest cameos include Gwyneth Paltrow and Orlando Bloom. Viewers will find this modern twist on the classic romantic comedy quite funny and entertaining as long as they are willing to put aside any homophobic tendencies and laugh at the absurdities of the world we live in. --Tami HoriuchiStudio: First Look Home Entertain Release Date: 12/01/2009 Run time: 89 minutes Rating: RBritta! ny Murphy (don't Say a Word) and Dakota Fanning (I Am Sam) shi! ne brigh ter than all the lights of Manhattan in this delightful New York fairy tale. Co-starring Marley Shelton (Never Been Kissed), Donald Faison ("Scrubs") and Heather Locklear ("Spin City"), Uptown Girls will make you laugh, cry and laugh again! Molly (Murphy) is a partying rock 'n' roll princess whose money just ran out. Ray (Fanning) is a fussy nine-year-old girl whose last nanny just ran out. Only Ray's way-too-busy mom (Locklear) could think that hiring Molly would be the perfect setup for both girls. But as this unlikely pair faces everything from control issues (Ray's, of course) to temper tantrums (Molly's, of course), they discover that sometimes your best friend can come from the place you least expect!Brittany Murphy uses her ditzy/sexy combination to maximum effect in Uptown Girls. Molly Gunn (Murphy) is an heiress living off the estate of her dead rock star father--until an unscrupulous accountant embezzles everything and Molly has to get a job. After a failed! attempt at retail work, Molly finds herself as the nanny for a prematurely humorless and rigid little girl named Ray (Dakota Fanning, I Am Sam), whose music mogul mother Roma (Heather Locklear) hardly ever sees her. Meanwhile, Molly woos an English musician who's trying to get a record contract from Roma. Unsurprisingly, Ray teaches Molly to take some responsibility for herself, while Molly gives Ray the opportunity to become the child she is--but despite the formulaic quality of the story, the two actresses play off each other well, and something unexpectedly touching emerges. Also featuring Marley Shelton (Sugar & Spice). --Bret FetzerIn this tense, stylish noir thriller, Terry (Danny Pino, TV's Cold Case) follows his fiancee, June (Brittany Murphy, The Ramen Girl, 8 Mile), to a seedy hotel where she's meeting another man. Drunk and distraught, Terry calls best friend Julian (Mike Vogel, Cloverfield) and reveals that he's holed up across the hall fro! m the lovers with a stolen gun and murder on his mind. A chill! ing cat- and-mouse game ensues, forcing Julian to risk his own life to keep his friend from doing the unthinkable.

Stills from Across the Hall (Click for larger image)






At first glance, Across the Hall has the look of one of those "stylish thrillers" with little substance below its glossy veneer. But there's more to this story, which director Alex Merkin and screenwriter Jesse Mittelstadt expanded from its original incarnation as a 2005 short film. Danny Pino costars as Terry, an insecure, short-fused guy who's convinced that his girlfriend, June (Brittany Murphy), is cheating on him--so convinced, in fact, that he has followed her to a funky hotel (one of those spooky places with few other guests and an oddball porter oozing portentous nuttiness) and booked the room across the hall from hers, where he stares through the peephole, armed with a gun and very bad intent. Jesse calls his best bud Julian (Mike Vogel) and confesses what he's up to, which sets in motion a series of plot twists, some fairly predictable (viewers g! ood at such things will certainly see them coming) and some no! t at all . The action jumps around in terms of both time frame and point of view, but Merkin, who was also the editor, makes it all work. And while the film has its share of timeworn tricks and devices (including cell phones ringing in all the wrong places and the old "did he take the elevator or the stairs?" bit), not to mention a couple of overly convenient plot developments, Merkin handily maintains a kind of noirish tension throughout its tidy, 90-minute running time. Stylish indeed--but good, too. --Sam GrahamAshton Kutcher (Dude, Where's My Car?, TV's That '70's Show) and Britney Murphy (8 Mile, Don't Say A Word) take the cake in this outrageous hit comedy that proves love and laughter are the perfect match. Sarah (Murphy) is a happy-go-lucky rich girl whosePretty Brittany Murphy and prettier Ashton Kutcher make a surprisingly enjoyable comic team in Just Married, a romantic comedy about a horrible honeymoon. After a whirlwind romance, radio traffic announcer ! Kutcher and rich girl Murphy get married over the objections of her upper-crust family. Their love can overcome snobbery--but as the cuddly pair start to drive each other nuts over mishaps traveling through Europe, it starts to look like their love can't overcome intimacy. Just Married has a sprightly script that keeps one foot on the ground (unlike some recent romantic comedies that seem to have no connection to reality) and one eye on the small ways in which lovers can get on each other's nerves. Kutcher (Dude, Where's My Car?) and Murphy (Clueless, 8 Mile) have a sweet yet volatile chemistry that keeps the antics lively. --Bret Fetzer A young woman's life begins to resemble the daytime TV talk show she works for after she is persuaded to snoop through her boyfriend's Palm Pilot and discovers more than she wants to know about his past - and present.Half screwball romance, half television satire, Little Black Book follows ! insecure Stacy Holt (Brittany Murphy, Uptown Girls, ! 8 Mile), who has an idyllic relationship with a great guy named Derek (Ron Livingston, Office Space) and a job as an associate producer for a daytime talk show that fuses Jerry Springer and Ricki Lake. Then a cynical co-worker named Barb (Holly Hunter, Broadcast News) persuades Stacy to delve into Derek's Palm Pilot to learn more about his ex-girlfriends--which sends Stacy into a spiral of ever-increasing paranoid compulsion. Little Black Book takes some unexpected plot twists that some viewers will find inexplicable and others will find weirdly fascinating. The movie's split personality makes it unsuccessful as a whole but compelling in parts. Hunter steals the show, in more ways than one. Also featuring Kathy Bates, (Misery, About Schmidt) and Julianne Nicholson (Seeing Other People). --Bret FetzerMary Walsh delivers boyfriend Kevin to a hospital for routine outpatient surgery. But when Mary returns to take him home, he's myste! riously vanished. An administrator can find no record of him, and a police search turns up nothing. Increasingly frantic, Mary's taken to staff psychiatrist Dr. Bensley, who pronounces her unstable. Now she must not only find her missing boyfriend, but prove her own sanity as well. When a stranger informs her he knows Kevin's whereabouts and demands a $10 billion ransom, she has one hour to comply and her boyfriend's life hangs in the balance. Forced to embezzle the money from the bank where she works, Mary soon discovers the shocking truth behind the disappearance. Now time is running out and she must take matters into her own hands to save herself.Though at times an agreeable thriller, Abandoned will sadly gain notoriety as the final film credit for its lead, actress Brittany Murphy, who died prior to its home video release, though this unfortunate circumstance may lead some viewers to seek out the film. What they'll find is an unremarkable bit of suspense involvin! g Murphy's search for her boyfriend (Dean Cain), who appears t! o vanish from the face of the earth after checking into a hospital for routine knee surgery. Old pros Mimi Rogers and Peter Bogdanovich pull out the stops to suggest that Murphy is delusional, while detective Jay Pickett (a veteran of director Michael Feifer's lengthy string of low-budget serial killer biopics) and cult favorite Tim Thomerson offer support; the result has its moments, most notably in a chase through the bowels of the hospital, but never rises above the level of made-for-TV or direct-to-video movie. Murphy is fine, though the role is fairly glum and keeps her from displaying her trademark sparkle; completists who wish to see her entire CV are most likely to be the film's core audience. The DVD includes the original trailer. --Paul Gaita

Sunday, September 4, 2011

Vipers

  • The 11th Installment in "The Maneater Series," Vipers follows a group of genetically enhanced vipers on the loose after a break-in at a medical research laboratory. They don t just bite. They eat. Reproducing at a rapid rate, they now outnumber the locals of a nearby remote island who have barricaded themselves in an increasingly vulnerable hotel. With help on its way, or not, the lone sur
Tara Reid stars in a gruesome tale about a group of attractive young college students forced to seek shelter in an ominous abandoned factory after a car accident leaves them stranded. Lurking within is a vicious serial killer bringing new meaning to the term "deranged." Soon, though, the group â€" what's left of them â€" makes another shocking discovery. Inside a triple-locked, shatterproof glass cage is a mysterious coma patient who holds the key to their escape and, ultimately, their survival.Ross is ! an out-of-work actor, minimum wage pizza delivery drone, and a really good bowler. His animal-care girlfriend Lindsay has just been fired for causing a crazed penguin orgy. But when their stoner roommate suggests they hit the highway as polyester pimps ‘Ross Vegas’ and ‘Lil’ Reno’, the trio takes the alleys and gutters of the professional bowling tour by storm. Will the pressures of stardom now split their friendship forever or is that just how a playa rolls? Strike is a comedy about big balls, best buds and the cutthroat world of badass bowling.Ross is an out-of-work actor, minimum wage pizza delivery drone, and a really good bowler. His animal-care girlfriend Lindsay has just been fired for causing a crazed penguin orgy. But when their stoner roommate suggests they hit the highway as polyester pimps ‘Ross Vegas’ and ‘Lil’ Reno’, the trio takes the alleys and gutters of the professional bowling tour by storm. Will the pressures of stardom now split th! eir friendship forever or is that just how a playa rolls? Stri! ke is a comedy about big balls, best buds and the cutthroat world of badass bowling.

Stills from Strike  (Click for larger image)











Eight glossy, good-looking young actors, including Sean Patrick Flanery (Powder, Suicide Kings), Jerry O'Connell (Stand by Me, Scream 2), Amanda Peet (One Fine Day), Tara Reid (American Pie, Urban Legend), and Brad Rowe (Billy's Hollywood Screen Kiss). Women in their underwear and short, tight dresses; men in suits. Men's bare buttocks and women's bare breasts (at least in the unrated version). Characters talking earnestly to the audience about blowjobs, domination, anal penetration, one-night stands, and the difference between sex and love. Lots and lots of alcohol consumption in a cavernous, neon-lit club. A bloody fistfight. The plot, to the degree there is one, concerns an accusation of rape, which is shown from his-and-her points of view. People similar to these characters probably do exist in real life, but there's no reason to make a movie about them. Everyone ! involved in making Body Shots should have to do 100 hours of community service to make up for the time they've stolen from viewers' lives. The script and direction are particularly banal and self-important. Vacuous. --Bret FetzerDEVIL'S POND - DVD MovieA group of genetically enhanced vipers are on the loose after a break-in at a medical research laboratory. They don't just bite. They eat. Reproducing at a rapid rate, they now outnumber the locals of a nearby remote island who have barricaded themselves in an increasingly vulnerable hotel. With help on its way - or not-- the lone survivors have one chance to stay alive: make it to the shore--and fast.

The Fountain (Widescreen Edition)

  • Yesterday, today, tomorrow. Past, present, future. Through time and space, one man embarks on a bold 1000-year odyssey to defeat humankind's most indomitable foe: Death.Hugh Jackman plays that man, devoted to one woman (Rachel Weisz) and determined to protect her from forces that threaten her existence. His quest leads him to a Tree of Life.and to an adventure into eternity. Darren Aronofsky (Pi,
Set in ancient Egypt under Roman rule, AGORA follows the brilliant and beautiful astronomer Hypatia (Weisz) who leads a group of disciples fighting to save the wisdom of the Ancient World, as violent religious upheaval spills into the streets of Alexandria. Among these disciples are two men competing for her heart: the witty, privileged Orestes (Isaac) and Davus (Minghella), Hypatia’s young slave, who is torn between his secret love for her and the freedom he knows can be his if he chooses to join ! the unstoppable surge of the Christians.Alternating between cosmic splendor and human squalor, Agora is a movie of unusual ambition. In the last days of the Roman Empire, the Egyptian city of Alexandria is torn between the aristocratic pagan society and the emerging, rough-and-tumble Christians. As this broad cultural conflict teeters violently back and forth, the scientist-philosopher Hypatia (Rachel Weisz, The Brothers Bloom, The Fountain) struggles to resolve the motion of the planets with her belief in celestial perfection. Tangled in her life are three men: a Roman prefect (Oscar Isaac, Body of Lies), a Christian bishop (Rupert Evans, Hellboy), and a slave (Max Minghella, The Social Network) who turns to Christianity to escape his unrequited love for Hypatia. Some viewers will be uncomfortable with Agora's depiction of early Christianity and others will quibble about the movie's historical accuracy, but the movie's theme! s--of faith vs. zealotry, of religion vs. the spirituality of ! science- -and its vivid depiction of one culture being brutally supplanted by another demonstrate a scope seldom found in contemporary film. Writer-director Alejandro Amenábar previously made popular ghost story The Others, mind-bender Open Your Eyes, and heartbreaker The Sea Inside; clearly, this is a career to watch. Don't overlook the deleted scenes--the gorgeous original opening shot accentuates the twin pulls of science and spirituality. --Bret FetzerA young woman believed to be a simpleton or worse a witch enrages the townsfolk when she falls in love with the mysterious survivor of a shipwreck. Studio: Sony Pictures Home Ent Release Date: 12/21/2004 Starring: Vincent Perez Kathy Bates Run time: 114 minutes Rating: Pg13 Director: Beeban KidronBased on the Joseph Conrad story "Amy Foster," this swirlingly romantic melodrama tells the story of a Polish sailor (Vincent Perez) shipwrecked and washed ashore on the English coast in the 19th century. ! Found by a servant girl, Amy (Rachel Weisz), who is a village outcast, he is considered retarded because no one can understand what he says. But slowly, through Amy's love and the doctor's tutelage, the sailor learns enough English to decide he wants to make an honest woman out of Amy. Which doesn't sit well with the disapproving villagers, who don't like Amy. Even the doctor, who has a fondness for the sailor, has a blind spot when it comes to the servant girl. Strong performances and gritty period settings lift this film above bodice-ripper status to something richer. --Marshall FineYesterday, today, tomorrow. Past, present, future. Through time and space, one man embarks on a bold 1000-year odyssey to defeat humankind's most indomitable foe: Death. Hugh Jackman plays that man, devoted to one woman (Rachel Weisz) and determined to protect her from forces that threaten her existence. His quest leads him to a Tree of Life...and to an adventure into eternity. Darren A! ronofsky (Pi, Requiem for a Dream) directs, continuing his str! ing of i maginative, involving filmmaking with a tale alive with ideas and filled with astonishing vistas. "Not many films can blow your mind and break your heart at the same time, but this one will" (Drew McWeeny, Ain't It Cool News).Science fiction and romance collide in The Fountain, the ambitious third feature from director Darren Aronofsky (Pi, Requiem for a Dream), who labored for four years to complete this epic-sized love story that stretches across centuries and galaxies. Hugh Jackman and Rachel Weisz (Aronofsky's real-life companion) play lovers in each of the film's three settings--16th century Europe and America (Jackman is a Spanish explorer searching for Incan magic), the present day (Jackman is a doctor attempting to cure his dying wife), and the 26th century (Jackman is a space traveler seeking a gateway to the afterlife)-â€"who struggle mightily to stay united, only to lose each other time and again. Aronofsky may not have chosen the easiest presentatio! n for audiences to absorb his theories on the lasting qualities of life and the transformative powers of death-â€"the final sequence, in particular, with a bald Jackman floating through space in a bubble, harks back uncomfortably to "head movies" of the late '60s-â€"but his leads have considerable chemistry (and look terrific to boot), which goes a long way towards securing viewers' hopes for a happy ending. Critical reception for The Fountain has been nothing short of bloodthirsty, with Cannes audiences booing, but there are elements to enjoy here, even if the premise throws one for a loop. Ellen Burstyn (who earned an Oscar nomination for Requiem) delivers a typically solid performance as Jackman's boss in the present day sequence, and special effects (most done without the benefit of CGI) are also impressive given the film's low budget (spurred by a mid-production shutdown after original stars Brad Pitt and Cate Blanchett ankled the picture). And science-fi! ction fans whose tastes run towards the metaphysical (Asimov, ! Le Guin) will appreciate the attempt to present the genre in a serious light. --Paul Gaita